Transposisi Kreatif ‘GERAK’ dalam Film Sebagai Identitas Kultural pada Era Multiliterasi Digital: Studi Kasus Film ‘Setan Jawa’ Karya Garin Nugroho
Main Authors: | Kusuma Dewi, Agustina, Piliang, Yasraf Amir, Irfansyah, Irfansyah, Saidi, Acep Iwan |
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Format: | Proceeding PeerReviewed Book |
Bahasa: | eng |
Terbitan: |
, 2019
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Subjects: | |
Online Access: |
http://eprints.itenas.ac.id/650/1/04_TRANSPOSISI%20KREATIF%20%E2%80%98GERAK%E2%80%99%20DALAM%20FILM%20SEBAGAI%20IDENTITAS%20KULTURAL.pdf http://eprints.itenas.ac.id/650/ |
Daftar Isi:
- Technology change the way of thinking, how people access information also influence process to spread and share information in various media, including film, an art that plays images and screen technology. In the film, ‘movement’ is a changing position of an object. Accelerating technology constructed’movement’ becomes an important keyword that needs to be presented in every communication channel. ‘Setan Jawa’ Film by Garin Nugroho with Gamelan Orchestra composed by Rahayu Supanggah, was released in Indonesia in 2016 in Jakarta and still scheduled to tour the world until 2020. Combines a variety of collaborative art, design and technology—‘Setan Jawa’ creating a multiliterated communication channel that has possibilities to become a medium society cultural education. In this film, ‘movement’ becomes a sign constructed by creative transposition of narratives in various arts, including puppets. Using a case study approach and documentation analysis,referring to the results of Roger Long’s research (1979), this research aims to identify creative forms of puppet’s ‘movement’ transposition in the film ‘Setan Jawa’ as cultural identity, a finding that in the Industrial Era 4.0; through multiliteration digital, process of cultural discourseto society could be done through a variety vehicle of signs.