The Wayang Wong Millennial Performance Art Model as a New Tourist Attraction in Bali

Main Authors: Ni Made, Ruastiti, I Komang, Sudirga, I Gede, Yudartha
Format: Article PeerReviewed application/pdf
Bahasa: eng
Terbitan: , 2020
Subjects:
Online Access: http://repo.isi-dps.ac.id/3776/1/Ruastiti_2020_Pariwisata.pdf
http://repo.isi-dps.ac.id/3776/
Daftar Isi:
  • This scientific work aims to discuss the Wayang Wong Millennial performance art model as a tourist attraction and the audience's response to the Wayang Wong Millenial performance. This publication is the result of qualitative research using a cultural studies approach. Data collection was carried out through document studies, observations of Wayang Wong Millennial performances, and in-depth interviews with 11 informants from puppet actors, art observers as well as puppet art lovers in Bali. The descriptive-interpretive analysis is done by applying aesthetic theory, symbols, and practical theory. The results of the study show: (1) The packaging of the Wayang Wong Cupu Manik Astagina model covers various aspects: story, setting, characterisation, costumes, dialogue, music, stage setting, choreography movements have been able to captivate millennial generation involved as actors. This innovative sense of belonging to the Wayang Wong can develop as a new tourist attraction in Bali; (2) The existence of Wayang Wong Millenial was welcomed positively by elements of the community, including Bali tourism participants. In general, they consider that Wayang Wong Millennial is a form of Balinese art that is packaged according to the digital era, can be used as an educational medium for the millennial generation, and can be staged as a new tourist attraction. Wayang Wong Millennial, which has been packaged as a tourist attraction, should be developed. Keywords: Wayang Wong Millenial, New Tourism Attractions, Bali Tourism