TRADITIONAL DANCE IN GLOBAL ERA RODAT PERFORMING ART IN BUGIS KEPAON VILLAGE, BALI
| Main Author: | Ni Made, Ruastiti |
|---|---|
| Format: | Proceeding PeerReviewed Image |
| Bahasa: | eng |
| Terbitan: |
ISI Denpasar
, 2018
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| Subjects: | |
| Online Access: |
http://repo.isi-dps.ac.id/2963/1/Screen%20Shot%202018-12-05%20at%208.42.14%20AM.png http://repo.isi-dps.ac.id/2963/ |
Daftar Isi:
- ABSTRACT The aim of the present research is to comprehend the essence of Rodat Performing Art in Bugis Village, Kepaon, Denpasar Bali in global era. This present research is done because there is an imbalance between assumption and reality in the field. Generally, dances growing in Bali are in Hindu nuance because its society are dominantly Hindu. However, the fact is different. In the life of Bali society, there is Rodat performing art that is in islam nuance. The questions are: (1) What ideology does work behind Rodat performing art so that the dance is preserved by Bugis society in Bali until now? (2) How is the implication of Rodat performing art preservation for society and culture of Buginese in Bali? This research uses qualitative method. Types and date sources, both primary source and secondary source, of this research are obtained from observation technique, interview, EFG, and literature study. All data is analyzed critically in the perspective of cultural studies. The research result reveals that : (1) Buginese society in Bugis Kepaon Village, Bali still can preserve Roday performing art until now because of the ideology of religion, the ideology of aesthetic, the ideology of self actualization and the ideology of culture; (2) the preservation of Rodat performing art until now has positive implication on strengthening social relations, identity, and culture of Bugis in Bali. Keywords : ideology, symbol, rodat performing art in Bugis Kepaon Village, Birth of Prophet Muhammad p.b.u.h Ceremony