Intertextuality Depicted In Easy A Movie By Will Gluck And Scarlet Letter Novel By Nathaniel Hawthorne
| Main Author: | Safitri, Annisa Eka |
|---|---|
| Format: | Thesis NonPeerReviewed Book |
| Bahasa: | eng |
| Terbitan: |
, 2017
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| Subjects: | |
| Online Access: |
http://repository.ub.ac.id/2283/1/Safitri%2C%20Annisa%20Eka.pdf http://repository.ub.ac.id/2283/ |
Daftar Isi:
- Intertextuality is the part of literary works. The development of literary works makes intertextuality as the reason why one literary work can be similar to other literary works. The writer conducted a study about intertextuality in Easy A (2010) movie by Will Gluck and Scarlet Letter (1850) novel by Nathaniel Hawthorne, that shows the interconnectedness between two literary works which were written in a different era. There is only one problem to be solved in this study, it is the manifestation of the paradigm of Julia Kristeva’s intertextuality of two different literary works which come from the different mode of expression and different generation. This study uses a qualitative approach in the relation of knowing some elements that assumed as intertextuality. Phenotext, genotext, and ideologeme are applied in this study to analyze the intertextuality on both objects of the studies. This study reveals that Easy A (2010) movie and Scarlet Letter (1850) novel are related to each other. Olive and the society in Easy A movie use phenotext, genotext, and ideologeme to criticize about individualism, the gender issue, and social life. Olive and Hester were having the interconnectedness on their individuality after their rumor mill, saving the man’s reputation around them and showing the audience that a reputation is not a big problem to be discussed. Easy A movie society and Scarlet Letter novel society were also having the interconnectedness on their behavior to the main character. Moreover, Olive, with all her characterization, becomes the modern version of Hester Prynne. It can be seen from the Easy A movie’s writer intention by influencing Hester Prynne on the character of Olive Penderghast.