Greed in the Film "Parasite"
| Main Author: | Rio Febriannur Rachman |
|---|---|
| Format: | Article info application/pdf eJournal |
| Bahasa: | ind |
| Terbitan: |
LPPM Stikosa - AWS
, 2020
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| Subjects: | |
| Online Access: |
https://spektrum.stikosa-aws.ac.id/index.php/spektrum/article/view/60 https://spektrum.stikosa-aws.ac.id/index.php/spektrum/article/view/60/34 |
Daftar Isi:
- This article discusses the moral message associated with greed in the Parasite movie. This South Korean-language artwork was chosen because it is the best film in the world by the Academy Awards or Oscar 2020. In 2019, this Bong Joon-Ho's work won Palme d'Or in the 72nd Cannes Film Festival. At the same time, he received an appreciation of eight minutes of a standing ovation from the audience. In January 2020, the movie which originally called Gisaengchung won Best Foreign Language Film at the Golden Globe Awards and Cast in a Motion Picture at the Screen Actors Guild Award. Not only those things, but the movie's track record is also even more interesting because it won the Best Film Not in the English Language in the British Academy of Film and Television Arts 2020, along with a series of awards at other international events. A number of articles discuss the aspects of social inequality shown in this movie. In fact, as a work of art, moral messages in a cinematic product can be diverse and can be examined from a variety of perspectives. This research relies on representation theory that refers to the concept of greed in Islamic and Christian perspectives, as stated in the interpretation of the Holy Qur'an and the Bible. The method used is qualitative with a visual analysis approach in the scope of the site of the image itself. The result of this study, greed depicted in the attitude of one poor family who has a major role in the Parasite.
- Penelitian ini mengupas tentang pesan moral yang berhubungan dengan ketamakan dalam film Parasite. Karya seni berbahasa Korea Selatan ini dipilih karena merupakan film terbaik di dunia versi Academy Awards atau Oscar 2020. Pada 2019 lalu, garapan Bong Joon-Ho ini meraih Palme d’Or dalam Festival Film Cannes ke-72. Sekaligus mendapat apresiasi berupa delapan menit standing ovation dari hadirin. Pada Januari 2020, karya yang berjudul asli Gisaengchung ini memenangkan Best Foreign Language Film di Golden Globe Awards dan Cast in a Motion Picture di Screen Actors Guild Award. Tak hanya itu, rekam jejak film ini menjadi lebih menarik karena meraih Best Film Not in the English Language dalam British Academy of Film and Television Arts 2020, beserta sederet penghargaan di ajang internasional lainnya. Sejumlah artikel membahas tentang aspek kesenjangan sosial yang ditunjukkan di film ini. Padahal, sebagai sebuah karya seni, pesan moral dalam sebuah produk sinematik bisa beragam dan dapat ditelaah dari beragam sudut pandang. Riset ini bersandar pada teori representasi yang merujuk pada konsep tamak dalam perspektif Islam dan Kristen, seperti tertera pada tafsir di kitab suci Al-Qur’an dan Injil. Metode yang digunakan adalah kualitatif dengan pendekatan analisis visual pada lingkup the site of image itself. Hasil dari penelitian ini, ketamakan tergambar pada sikap dari satu keluarga miskin yang memiliki peran utama dalam film Parasite.