Street Carnavals Open Visual Communication Space between Chinese Indonesian Culture which are Dialogue with Local Culture
| Main Authors: | Denissa, Lois, Piliang, Yasraf A., Widodo, Pribadi, Damayanti, Nuning Yanti |
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| Format: | Proceeding PeerReviewed Book |
| Terbitan: |
, 2016
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| Subjects: | |
| Online Access: |
http://repository.maranatha.edu/25699/1/17.%20Done%20Street%20Carnavals.pdf http://repository.maranatha.edu/25699/ |
Daftar Isi:
- In the era of globalization we are often faced with an understanding of the importance of intercultural communication. Many cases lead to conflict occurs because most of us do not understand how to establish communication between cultures. Carnaval culture of Chinese Indonesian in the streets have opened the barriers of alienation, prejudice, stereotypes, injury history and social distance into an effective appreciation of culture that blends with the locality. Not just for actors who demonstrate the processions but also for spectators who appreciate performances. In both cases there have been a supple dialogue to build appreciation that could melt the barriers and form a new network of sense of wealth and pride culture that blend with each other. This study used a qualitative interpretative approach to the visualization costume carnival processions about Chinese Costumes in 2003, Chinese Opera Costumes in 2007 and Lion Dance Festival Costume at the opening of Jember Fashion Carnaval in 2012. Overall costumes are created and exhibited by young people of Jember’s society on the highway protocol with strong local content. This Chinese Indonesian Carnival is an attitude of intercultural communication which not only delivered theoretically and then be an utopian, but an attitude of acceptance by Jember society that emphasizes reasoning, visual dialogisme, visual freedom that rooted in cultural locality. Those were created and significantly realized through a sustainable visual communication intercultural.