EKSPLOITASI TUBUH PEREMPUAN DALAM PROGRAM TAYANGAN TELEVISI
| Main Author: | NOVIANTI, DINA SUCI |
|---|---|
| Format: | Thesis NonPeerReviewed Book |
| Bahasa: | ind |
| Terbitan: |
, 2015
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| Subjects: | |
| Online Access: |
https://eprints.untirta.ac.id/12241/1/EKSPLOITASI%20TUBUH%20PEREMPUAN%20DALAM%20PROGRAM%20TAYANGA%20TELEVISI%20%28STUDI%20ANALISIS%20SEMOTIKA%20ROLAND%20BARTHE.PDF https://eprints.untirta.ac.id/12241/ |
Daftar Isi:
- The women body is the most attractive side of a woman, so the beauty of the body is considered by many business circles, especially in television industry. Feels less if a program does not display the tv footage of the women figure, with all its appeal. The real role of women in the mass media portrayed only as mere sex objects. In DMD Shows of MNCTV showing sexual imagination with use clothes that opened exposing part of the women body that can stimulate the desire of men. Therefore, this research aims to know the exploitation of women's bodies in the program DMD Show of semiotics analysis Roland Barthes by using heurmeneutik code, semic code, symbolic code, proaretik code, and gnomic code. In this study will be selected some pieces of the picture shows the DMD Show of MNCTV considered exploiting women's bodies based on the five codes. The methods used in this research is the method of semiotic analysis of Roland Barthes with qualitative approaches in critical paradigm. Based on the results of the study showed that in: (1) Heurmeneutik Code, the body of women exploited as sexual imagination stimulant men, (2) Semic Code, use clothes opened in the chest to the foot impression of someone who has high self confidence, and want to be noticed, (3) Symbolic Code, the beauty of the women body that is visible from the gesture and dent the body used as a tool to attract and increase desire sexuality (4) Proarietik Code, the mass media become facilitators in this program, is seen in the use of the technique of shooting that often lead to sections that are taboo, (5) Gnomic Code, culture beyond the influence of local culture with the use of divisualisasi clothes. Which time this sort of thing is not in accordance with local culture in Indonesia.