STRATEGI PENINGKATAN GARAP CATUR DI SANGGAR PEDALANGAN SERENGAN SURAKARTA

Main Author: Bagong, Pujiono
Format: Article PeerReviewed Lainnya
Bahasa: eng
Terbitan: ISI Surakarta
Subjects:
Online Access: http://repository.isi-ska.ac.id/43/1/63
http://repository.isi-ska.ac.id/43/
http://jurnal.isi-ska.ac.id/index.php/abdiseni
ctrlnum 43
fullrecord <?xml version="1.0"?> <dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><relation>http://repository.isi-ska.ac.id/43/</relation><title>STRATEGI PENINGKATAN GARAP CATUR DI SANGGAR PEDALANGAN SERENGAN SURAKARTA</title><creator>Bagong, Pujiono</creator><subject>Pedalangan</subject><description>The learning condition in puppetry studio Serengan is not systematically arranged yet so it needs an improvement. The study of garap pakeliran with the teaching material given is supposed to actualize a better result by maximizing the being human resource. One aspect of pakeliran that must be fulfilled in puppet theater is catur. The method used in the study of pakeliran practice in puppetry studio Serengan is appreciation, speech, and demonstration. Based on the method used, it can be concluded that students are successfully able to catch catur of the characters in the short pakeliran lakon Gathotkaca Sungging presented by Ki Nartasabda which has been edited by Purbo Asmoro. Garap Catur is including janturan, pocapan, and ginem of the characters: Duryudana, Baladewa, Durna, Karna, Sengkuni, Nilayaksa, Kartamarma, Jayadrata, Gathotkaca, Samba, Setyaki, Antareja, Dewapawaka, Abimanyu, Semar, Gareng, Petruk, Bagong, Pragalba, Anoman, Arjuna, Banowati, Lesmanawati, and Bhatara Guru.</description><publisher>ISI Surakarta</publisher><type>Journal:Article</type><type>PeerReview:PeerReviewed</type><type>Other:Other</type><language>eng</language><identifier>http://repository.isi-ska.ac.id/43/1/63</identifier><identifier> Bagong, Pujiono STRATEGI PENINGKATAN GARAP CATUR DI SANGGAR PEDALANGAN SERENGAN SURAKARTA. Jurnal Abdi Seni, 2 (1). pp. 12-21. ISSN 2087-1756 </identifier><relation>http://jurnal.isi-ska.ac.id/index.php/abdiseni</relation><recordID>43</recordID></dc>
language eng
format Journal:Article
Journal
PeerReview:PeerReviewed
PeerReview
Other:Other
Other
author Bagong, Pujiono
title STRATEGI PENINGKATAN GARAP CATUR DI SANGGAR PEDALANGAN SERENGAN SURAKARTA
publisher ISI Surakarta
topic Pedalangan
url http://repository.isi-ska.ac.id/43/1/63
http://repository.isi-ska.ac.id/43/
http://jurnal.isi-ska.ac.id/index.php/abdiseni
contents The learning condition in puppetry studio Serengan is not systematically arranged yet so it needs an improvement. The study of garap pakeliran with the teaching material given is supposed to actualize a better result by maximizing the being human resource. One aspect of pakeliran that must be fulfilled in puppet theater is catur. The method used in the study of pakeliran practice in puppetry studio Serengan is appreciation, speech, and demonstration. Based on the method used, it can be concluded that students are successfully able to catch catur of the characters in the short pakeliran lakon Gathotkaca Sungging presented by Ki Nartasabda which has been edited by Purbo Asmoro. Garap Catur is including janturan, pocapan, and ginem of the characters: Duryudana, Baladewa, Durna, Karna, Sengkuni, Nilayaksa, Kartamarma, Jayadrata, Gathotkaca, Samba, Setyaki, Antareja, Dewapawaka, Abimanyu, Semar, Gareng, Petruk, Bagong, Pragalba, Anoman, Arjuna, Banowati, Lesmanawati, and Bhatara Guru.
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city KOTA SURAKARTA
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