KAJIAN DAN GARAP GENDER JONGKANG,KETAWANG GENDHING KETHUK 2 KEREP MINGGAH LADRANGAN LARAS SLENDRO PATHET SANGA
| Main Author: | Fibrianto, Brian |
|---|---|
| Format: | Thesis NonPeerReviewed Book |
| Bahasa: | eng |
| Terbitan: |
, 2019
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| Subjects: | |
| Online Access: |
http://repository.isi-ska.ac.id/3838/1/Brian%20Fibrianto%2015111170.pdf http://repository.isi-ska.ac.id/3838/ http://repository.isi-ska.ac.id/ |
Daftar Isi:
- Thesis of this artwork tries to present and analyze the genderan gending of garap pakeliran (Shadow puppet theatre performances) with the following vocabularies: Jongkang, ketawang gendhing kethuk 2 kerep minggah ladrangan, laras slèndro pathet sanga. The two issues are: (1) how the garap gendèran in this gending; and (2) which gendèran is suitable when this gending presented for pakeliran, is it Martopangrawit version, Sabdosuwarno, Cokro Wasito, or Riris Raras Irama version?. These two issues are reviewed based on the musical rules of gendèran, pathet concept, and garap concept. The result of the research refers that: first, this gending have special buka gendhing and special céngkok gendèran. Second, each penggendèr (gendèr player) have their own characteristic of wiledan, céngkok and the buka for this gending. The version of gendèran by Sabdosuwarno and Riris Raras Irama are suitable for klenéngan, while the version of gendèran by Martopangrawit and Cokro Wasito are more suitable for pakeliran based on the rasa and their characteristic.