KONSEP KEPESINDENAN DAN ELEMEN-ELEMEN DASARNYA
Main Author: | Budiarti, Muriah |
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Format: | Article PeerReviewed Book |
Bahasa: | eng |
Terbitan: |
Departement of Drama, Dance, and Music, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators
, 2013
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Subjects: | |
Online Access: |
http://repository.isi-ska.ac.id/2185/1/Muriah%20Budiarti%201.pdf http://repository.isi-ska.ac.id/2185/ https://journal.unnes.ac.id/nju/index.php/harmonia/issue/view/339 |
Daftar Isi:
- Sindhenan is a part of karawitan in order to enhance the sense of aesthetics. It is a voice of pesinden following the rhythm of gamelan music with a distinctive voicing technique according to aesthetic concepts of Java. The voicing technique includes luk technique, wiled, gregel, angkatan, seleh, and respiratory techniques. The concept of qualified sindhenan is known as nggendingi, including mungguh, ngledheki, lelewa, pas, ngenongi, nggandhul, andhegan, and selingan. The vocal training has been through a long process of training adjust with the rhythm of gamelan music. Some of the pesindens sometimes do some interesting motions. Pesinden for ansambel and pakeliran performances often give priority to the accompaniment of voice colors, voicing techniques, pronuncing technique of song lyrics. Pesinden is demanded in good condition in their performances as they are the main attention of the audience. The main function of sindhenan is to enrich the value of aesthetics in the show.