DIMENSI RAME: GEJALA, BENTUK, DAN CIRI

Main Authors: Mulyana, Aton Rustandi, Haryono, Timbul, Simatupang, G.R. Lono Lastoro
Format: Article PeerReviewed Book
Bahasa: eng
Terbitan: Departement of Drama, Dance, and Music, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators , 2012
Subjects:
Online Access: http://repository.isi-ska.ac.id/2178/1/Aton%20Rustandi%20Mulyana.pdf
http://repository.isi-ska.ac.id/2178/
https://journal.unnes.ac.id/nju/index.php/harmonia/issue/view/269
Daftar Isi:
  • In general rame is considered a commonplace thing. Yet, beyond all this, rame is a life necessity. Rame is indeed created to fill up vacant, lonely, or meaningless living spaces. Rame is always present by some causes or actions. In other words, it is present because of cause and effect relationship, or action and reaction process. This article discusses the dimension of rame based on phenomena, form, and its characteristics. Phenomenologically, rame is different from noise, because in ceremonies rame functions to solidify symbolic, ritual, religious, and social layers. The form could always be experienced by senses it is perceivable, smellable, tasteable, and touchable.