GARAP SUSUNAN TARI TRADISI SURAKARTA PADA TARI RETNA TAMTAMA

Main Author: Rahayu, Nanuk
Format: Article PeerReviewed Book
Bahasa: ind
Terbitan: Jurusan Tari ISI Surakarta , 2013
Subjects:
Online Access: http://repository.isi-ska.ac.id/1421/1/511
http://repository.isi-ska.ac.id/1421/
http://jurnal.isi-ska.ac.id/index.php/greget/issue/view/73
ctrlnum 1421
fullrecord <?xml version="1.0"?> <dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><relation>http://repository.isi-ska.ac.id/1421/</relation><title>GARAP SUSUNAN TARI TRADISI SURAKARTA PADA TARI RETNA TAMTAMA</title><creator>Rahayu, Nanuk</creator><subject>Tari</subject><description>The writer is also the creator of the dance Retna Tamtama and the process of creation was based on a broad background. The crystallization of the writer&#x2019;s experience in working on &#x201C;Sri kandhi Senopati&#x201D; had a strong impact on her soul. After much reading and contemplation, her imagination was stimulated and enriched by the reality of life today and even by her own personal experiences.Encouraged by these strong feelings, ideas emerged which were then transformed into a theme. In order to visualize the final work, stages were set to be used as a guideline. This was followed by a process of creative work which involved preparation, formulation, and interpretation,based on the concept of treatment that was to be applied to the content and form of the dance and reflected in the dance movements, the musical accompaniment, or gending beksan, the costume,and the properties. The final stage of the creative process was the performance it self. The idealism of the creator in performing her work meant that the dancers had to present a high quality of performance.</description><publisher>Jurusan Tari ISI Surakarta</publisher><date>2013-12</date><type>Journal:Article</type><type>PeerReview:PeerReviewed</type><type>Book:Book</type><language>ind</language><identifier>http://repository.isi-ska.ac.id/1421/1/511</identifier><identifier> Rahayu, Nanuk (2013) GARAP SUSUNAN TARI TRADISI SURAKARTA PADA TARI RETNA TAMTAMA. Jurnal Greget, 12 (2). pp. 210-226. ISSN 1412-551X </identifier><relation>http://jurnal.isi-ska.ac.id/index.php/greget/issue/view/73</relation><recordID>1421</recordID></dc>
language ind
format Journal:Article
Journal
PeerReview:PeerReviewed
PeerReview
Book:Book
Book
author Rahayu, Nanuk
title GARAP SUSUNAN TARI TRADISI SURAKARTA PADA TARI RETNA TAMTAMA
publisher Jurusan Tari ISI Surakarta
publishDate 2013
topic Tari
url http://repository.isi-ska.ac.id/1421/1/511
http://repository.isi-ska.ac.id/1421/
http://jurnal.isi-ska.ac.id/index.php/greget/issue/view/73
contents The writer is also the creator of the dance Retna Tamtama and the process of creation was based on a broad background. The crystallization of the writer’s experience in working on “Sri kandhi Senopati” had a strong impact on her soul. After much reading and contemplation, her imagination was stimulated and enriched by the reality of life today and even by her own personal experiences.Encouraged by these strong feelings, ideas emerged which were then transformed into a theme. In order to visualize the final work, stages were set to be used as a guideline. This was followed by a process of creative work which involved preparation, formulation, and interpretation,based on the concept of treatment that was to be applied to the content and form of the dance and reflected in the dance movements, the musical accompaniment, or gending beksan, the costume,and the properties. The final stage of the creative process was the performance it self. The idealism of the creator in performing her work meant that the dancers had to present a high quality of performance.
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