Catalogazione e diritti d’autore
| Main Author: | Marini Clarelli, Maria Vittoria |
|---|---|
| Format: | Proceeding NonPeerReviewed application/pdf |
| Bahasa: | it |
| Terbitan: |
ICCD Istituto Centrale per la Catalogazione e la Documentazione
, 1999
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| Subjects: | |
| Online Access: |
http://eprints.rclis.org/4127/1/41_2-ma.pdf http://eprints.rclis.org/4127/ |
Daftar Isi:
- Why and how do author rights influence the process of cataloguing? Since when the catalogue turned into a computerized database accessible to anyone, the problem became crucial. In the past, the acknowledgement of intellectual property both in its moral and economic side was not considered a right to exert because the use of the data was limited within the public administration. To simplify, we can say that in a catalographic database two kinds of author rights are involved: the ones dealing with the content, namely collected and treated data, and the rights dealing with the database, being a kind of case for data. In the first category, there are the rights that the manager of the database should gain and own through the right clearance before creating the database while, in the second category, there is the sui generis right (established by the directive 96/9/CEE) assigned to database that are considered the product of the creativity of the author according to the selection of data or their disposition. Generally speaking, cataloguers have the paternity right because their name appears in the file boards. As far as the right of integrity is concerned, it can be claimed only in terms of controlling the accuracy of the content and respecting the norms of cataloguing which are by custom expressed in the contract. Copyright, instead, can be transferred. It includes the reproduction, the creation of derivative works (such as translations), the distribution of copies, the communication to the public, the screening and the transmission.