La España romántica en versión estereoscópica
| Main Author: | Fernández-Rivero, Juan-Antonio |
|---|---|
| Format: | Proceeding NonPeerReviewed application/pdf |
| Bahasa: | es |
| Terbitan: |
, 2008
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| Subjects: | |
| Online Access: |
http://eprints.rclis.org/16904/1/Espa%C3%B1a%20romantica%20version%20estereo.pdf http://eprints.rclis.org/16904/2/Diptico_Coloquio.pdf http://eprints.rclis.org/16904/ |
Daftar Isi:
- After the discoveries and experiences of Charles Wheatstone and David Brewster, the stereoscopic photography turns into a great industry from the second half of the decade of 1850. The photography in general and the stereoscopic especially had great influence in the iconographic world of his time and therefore also in the image or graphic representation of the romantic Spain. During the first decade of the photographic-stereoscopic industry many French editors and photographers came to Spain to make collections of view for marketing in Europe. These collections remain virtually unknown to the history of photography Spanish. Three of their best representatives were Gaudin, Lamy and Andrieu. His photographs had great influence on the romantic image of Spain, focusing its interests in the Andalusian cities with more vestiges Arabs as Seville and Granada.