STUDI ANALISIS WACANA KRITIS TERHADAP PERFORMATIVITAS IDENTITAS PEREMPUAN ISLAM DALAM AKUN PRIBADI PEREMPUAN SALAFI DI FACEBOOK
| Main Authors: | , Nurul Fitri Hapsari, , Dr. Wening Udasmoro, M.Hum., DEA. |
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| Format: | Thesis NonPeerReviewed |
| Terbitan: |
[Yogyakarta] : Universitas Gadjah Mada
, 2011
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| Subjects: | |
| Online Access: |
https://repository.ugm.ac.id/90253/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=52642 |
Daftar Isi:
- Facebook, as an interactive online media, can make its users reproduce meanings as their own interpretation. Thus, through their writings in Facebook, Salafi women can be able to define and interpret their own identity as Islam women. Therefore, this study is aimed to analyze identity performativity of Islam women performed by eight Salafi women in their personal accounts in Facebook in order to know discourse of Islam women�s identity related with their gender role. However, only married Salafi women would become informants of this study. Moreover, this study is also aimed to analyze the roles of Facebook in articulating the discourse. Thus, data were collected with ethnography approach, namely online and offline observation, as well as online and offline interview. The collected data were then analyzed with Fairclough�s analyzing text method. Based on the analysis results, the researcher found several findings. First, identity performativity of Islam women performed by those eight informants is very ideological and political, as well as full of dialectics and negotiation processes. It is because there is a dialectics between those women with their Salafi community and Indonesian social culture. Second, Facebook plays roles as a face of dialectics and as a face of Islamic Make-Up. As a face of dialectics, Facebook can articulate dialectics process occurred, either between those Salafi women and their Salafi community as well as the social culture around them, or between this Salafi community in Indonesia and the thoughts of its founder in East Asia, Ibn Abd Al Wahhab, in performing the discourse of Islam women�s identity through identity performativity of those informants in Facebook. As a result, Facebook will always be a face reflecting how repitition and demystification of Islamic woman discourse formed through dialectics and negotiation processes are reproduced continually. Next, as a face with Islamic Make Up, Facebook can become a laboratory of self-creating for its users, as a result, those informants can reflect their Islamic identity creatively and symbolically through code switching process, as a make-up. Therefore, Facebook, through all writings produced by those informants, can finally be concluded as a media that can make mystification of the discourse of Islam women�s identity eliminated though not all dismissed. It is because the fact that not all of Islam women, in this case Salafi women, can or will access internet (Facebook), so it can indirectly cause pre-selection or filtering process for the discourse of Islam women performed through their identity performativity in Facebook.