MAKNA MOTIF DAN WARNA HOLLYEBOK (í�1⁄4ë¡�ë3μ) DALAM PAKAIAN PERNIKAHAN KOREA: KAJIAN SEMIOTIKA PEIRCE

Main Authors: , DIAH PURBOSARI, , Dr. Novi Siti Kussuji Indrastuti, M.Hum.
Format: Thesis NonPeerReviewed
Terbitan: [Yogyakarta] : Universitas Gadjah Mada , 2013
Subjects:
ETD
Online Access: https://repository.ugm.ac.id/122294/
http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=62395
Daftar Isi:
  • This Graduating Paper is the result of a research about Korean traditional wedding dress, Hollyebok which was worn by the court family and the Yangban people, in the era of Joseon dynasty (1392-1910) in Korea. The method of research is conducted through library research, by using several books which contains information about Hollyebok. This study aims to observe the meanings of life which contains in the patterns and colors of the Hollyebok. The scope of the study is the translation of a Hollyebok which was worn by the royal family and the Yangban people. Shortly describes the function of every part of the clothing. Parts of the Hollyebok are: (1) Sokgot, (2) Noreun Baji, (3) Jogeori, (4) Hwarot and Wonsam, (5) Samogwande, (6) Daedae and Gakddi, (7) Boseon, (8) Mokhwa and Kkotsin, and (9) the Hollyebokâ��s accessories itself. This study uses the semiotic theory. Descriptive method is used to analyze the difference of patterns and colors in the Hollyebokâ��s accessories. Indigo, white, red, black and yellow (gold) are the primary colors of Hollyebok. The meaning of life which gained from the patterns and colors of Hollyebok is the implementation of prayers and hopes from the parents for the brides who wore them. Phoenix, dragon and butterfly are considered as the iconic Hollyebok patterns. While clouds, lotus, subok writing and ssangheui heui are considered as the symbolic patterns of Hollyebok.