DRAMATURGI TEATER GANDRIK YOGYAKARTA DALAM LAKON ��ORDE TABUNG�� DAN ��DEPARTEMEN BOROK��
| Main Authors: | , Nur Sahid, Drs. M.Hum, , Prof. Dr. C. Soebakdi Soemanto S.U. |
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| Format: | Thesis NonPeerReviewed |
| Terbitan: |
[Yogyakarta] : Universitas Gadjah Mada
, 2012
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| Subjects: | |
| Online Access: |
https://repository.ugm.ac.id/100555/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=57119 |
Daftar Isi:
- Teater Gandrik is a theatre group that is succeed in combining dramaturgy of West theatre and aesthetic of Javanese theatre, especially Dagelan Mataram and conventional ketoprak. The performances of Gandrik Theatre in the play entitled �Orde Tabung� and �Departemen Borok� were presented in the form of performances which were attractive and contain improvisation, social criticism, humor, dances, songs, as well as dialogues which sometimes contain Javanese vocabulary. This research used aesthetic theory, art sociology theory, and theater semiotics theory. The morphology aesthetic theory taken from Thomas Munro, paradox aesthetic theory from Jakob Sumardjo, and rasa aesthetic theory from Schechner were used to analyze the structure and texture of �Orde Tabung� and �Departemen Borok� performances. Theory of art sociology was used to analyze sociohistorical factor causing Gandrik theatre has aesthetic derived from Javanese theater. Theories of theater semiotics from Tadeus Kowzan, Keir Elam, Fischer Lichte, Aston and Savona were used to analyze the meaning of performances. The results of this research show that aesthetic of Gandrik Theatre in the performances of �Orde Tabung� and �Departemen Borok� were combination of the elements of realism of West theatre and those of Javanese theatre, especially from Dagelan Mataram and ketoprak. Gandrik Theatre can be considered as an Indonesian aesthetic theatre. The combination between the elements of West and East theatre�s dramaturgies which are actually paradox has resulted complete and attractive performances. Indonesia�s socio-political conditions that were repressive in New Order and corruptive in Reformation Era encourage the creation of the play entitled �Orde Tabung� and �Departemen Borok�. The selection of Gandrik Theatre�s aesthetic which was explored from the elements of Javanese theatre was caused by the spirit of creating an Indonesian-featured aesthetic. The meanings of the performance played by Gandrik Theatre related to the matters of marginalizing minority group, marginal people, and pro-democracy activists, democratization, corruption eradicating are so relevant for Indonesian today and world society in general which some of them also experience marginalization of minority group, corruption and so on.