Pathêt: Ruang Bunyi dalam Karawitan Gaya Yogyakarta
| Main Author: | Hanggar Budi Prasetya, Penulis |
|---|---|
| Format: | Article PeerReviewed Book |
| Bahasa: | eng |
| Terbitan: |
, 2012
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| Subjects: | |
| Online Access: |
http://digilib.isi.ac.id/1535/1/Jurnal%20Panggung%20-%20Hanggar%20-%2036-72-1-SM.pdf http://digilib.isi.ac.id/1535/ |
Daftar Isi:
- This research aims to answer a question of why two Javanese gamelan pieces (gending) of different pathêt (modes) cannot be performed consecutively without grambyangan lead. The data of this research were obtained from in-depth interview and observation of karawitan (gamelan performances), focusing on karawitan training process, wayang performances, and karawitan performances for pleasure or uyon-uyon. Using phenomenology method, it can be concluded that pathêt is a space of sound. Two gamelan pieces having different modes are similar to two gamelan pieces in different spaces. There is a link between spaces that can be opened by the sound of gender or grambyangan. As a space, karawitan has three spaces of sound, i.e. space of pathêt nem, space of pathêt sanga, and space of pathêt manyura.