KEBUTUHAN PERLUASAN DOKTRIN ORISINALITAS DAN FIKSASI DALAM UNDANG-UNDANG HAK CIPTA SEBAGAI PERLINDUNGAN KREATIVITAS ANAK BANGSA
| Main Author: | Sari, Pratiwi Eka |
|---|---|
| Format: | Book application/pdf Journal |
| Terbitan: |
UI Scholars Hub
, 2021
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| Subjects: | |
| Online Access: |
https://scholarhub.ui.ac.id/dharmasisya/vol1/iss1/10 https://scholarhub.ui.ac.id/cgi/viewcontent.cgi?article=1032&context=dharmasisya |
Daftar Isi:
- The concept that copyright deals solely with the form of embodiment or fixation of a work is one of the fundamental principles of copyright and is the most fundamental principle of copyright protection. In that principle it implies that fixation relates only to the embodiment of a created being and is not concerned with the matter of substance and regardless of (not limited to) the form or type of creation. However, the fixation arrangements in Article 1 number 13 of Law 28/2014 turn out to cover only works that are poured in the form of audio, visual and audiovisual. Therefore, the extension of the definition of Fixation must be returned to its original doctrine in accordance with International Regulations if it is to remain incorporated into the Copyright Act. The extension includes all elements of the realization of an idea or idea into concrete form so that it can be heard, viewed,felt, touched, duplicated, broadcasted, communicated, announced and poured in any media in accordance.