Stage Effect Generators as a Stage of Performing Arts on the Stage
| Main Author: | Iudova-Romanova Kateryna |
|---|---|
| Format: | Article Journal |
| Bahasa: | ukr |
| Terbitan: |
, 2019
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| Subjects: | |
| Online Access: |
https://zenodo.org/record/5602007 |
Daftar Isi:
- The purpose of the study is to study, analyze and systematize the generators of stage special effects as a means of presenting artistic and figurative information in the stage space, and to make an art assessment of their role in the works of the performing arts. The research methodology consists of the following approaches: system-historical is to study the context of the problem; art is to determine the generators role of stage special effects in contemporary stage practice, structural and analytical are to classify various special effects as the means of artistic expression in the scene. The scientific novelty of the proposed research is to artificially analyze the processes of stage space modernization by introducing a modern range of special stage effect generators (smoke, fog, snow, soap bubbles, foam, cryo, pyro and aroma generators, paper salutes, mobile systems, mobile systems), and also in the study of the significance of these technical artistic and production means of expression in contemporary works of the performing arts. Conclusions. Based on the above, it can be argued that special effects generators are becoming more widely used as artistic and production means of presenting figurative information in the works of the performing arts. However, while the modernization of the stage space is closely linked to scientific and technological progress, the demonstration of the possibilities of stage technique is not an end in itself and they use technical innovations to enrich artistic techniques, giving technological means, first of all, to perform aesthetic and visual functions on stage.