Polisemantic Image of the Wind in the Lyrics of Sergey Mikhailovich Soloviev
| Main Author: | Soroka S.N. |
|---|---|
| Format: | Article Journal |
| Bahasa: | rus |
| Terbitan: |
, 2020
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| Subjects: | |
| Online Access: |
https://zenodo.org/record/4277641 |
Daftar Isi:
- The purpose of this work is to clarify the meanings of the image of the wind in the poetic heritage of the poet-young symbolist S.M. Solovyov. Particular attention is paid in the article to the interpretation of the image of the natural element in the lyric poems of S. Solovyov, included by him in various poetic cycles, and the comparison with the works of his contemporaries: Blok, Bunin, as well as based on the theoretical works of V.S. Soloviev, A. Bely, Viach. Ivanov. When analyzing poetic texts, cultural-historical and hermeneutic methods are used. In the course of the analysis of the poems, the meanings of the image of the wind in the work of S. Solovyov of the pre-revolutionary period are revealed. The wind space, reinforced with woody images, in the poet's poems reflects “the general aspiration of the earthly soul for higher forms of being ...” The movement of the wind symbolizes the “aspirations of life”, which are contrasted in the lyric texts of S.M. Solovyov “the eternal peace of the universe”. Combined with a sound and visual image, the breath of the wind helps to convey the fullness of sensations and feelings of the lyric hero, making him an accomplice in the described events, blurring the boundaries between reality and dreams. Wind in the poetry of S.M. Solovyova is a harbinger of winter cold, and also accompanies the awakening of spring nature, which renewed life at different times. Along with other natural images: sky, water, trees, symbols of love and death - the wind in the poetry of S.M. Solovyov acts as a kind of glue, a constant that “brings together centuries and the masses”. It combines different cycles, as well as seemingly dissimilar poems in one cycle. Thanks to this image, the holistic perception of paintings are preserved, combining Christian and pagan images, past and present, mythological subjects, and the fate of real people. Thus, the poet achieves the presence of timelessness, an eternity in his poetry.