Representasi Jihad dalam Film Ki Wasyid (Analisis Semiotika dengan Model Roland Barthes)
| Main Author: | Setiadi, Hendrik |
|---|---|
| Format: | Thesis NonPeerReviewed Book |
| Bahasa: | ind |
| Terbitan: |
, 2014
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| Subjects: | |
| Online Access: |
https://eprints.untirta.ac.id/12839/1/REPRESENTASI%20JIHAD%20DALAM....pdf https://eprints.untirta.ac.id/12839/ |
Daftar Isi:
- The study is based on the negative stigma be essential meaning jihad in the social life.Currently purport jihad/holy war is considered by majority of people as a form of violence that must involve warfare. The method is applicable in qualitative. Research is aimed at knowing jihad represented in the movie. The movie is the mass media in all communication. Ki wasyid are films that try to lift the nationalism made by clerics cilegon in the dutch colonial occupation in 1888. This research using cultural theory studies that asserts that value the importance of cultural derived from the fact that helped build the structure and form history. The research will find a movie with a logician roland barthes. The unit is preferred analysis is a scene in a movie scene ki wasyid considered represents a jihad. The scenes of the analysis based on a map of the Roland Barthes, Sign, mark denotasi, the connotations, sign a connotations and a connotation. And the next step is seeking a myth. The study concludes that a film representation in ki wasyid symbolized by the scenes of a play; supported also by dialogs spoken players shows that jihad is the spirit which should be owned by the younger generation today. A broader than for warfare, various social status that can be considered to be a jihad as students, parents to educate a child, teacher and scholar who give without making war and to his disciples and religious understanding of the environment is the essence of jihad and need need to do today, for the battle is not physically representative in the present era.