Lihat Juga

• The Influence of Anton Chekhov on Samuel Beckett: Inaction and Investment of hope into Godot-like Figures in Three Sisters and Waiting for Godot
  oleh: Sasani, Samira; Department of Foreign Languages and Linguistics, Faculty of Humanities and Literature, Shiraz University, Eram Campus, Eram Street 7194684795, Shiraz, et al.
  Terbitan: (2012)
• "What is it else?" Love's (Con-)Text in Romeo and Juliet
  oleh: H., Aliakbari; Department of Foreign Languages and Linguistics, Faculty of Humanities and Literature, Shiraz University, Eram Campus, Eram Street, 7194684795, Shiraz, et al.
  Terbitan: (2012)
• The Female Artist within the Framing Narrative in The Tenant of Wildfell Hall
  oleh: Pourgiv, Farideh; Department of Foreign Languages and Linguistics, Faculty of Humanities and Literature, Shiraz University, Eram Campus, Eram Street 7194684795, Shiraz, et al.
  Terbitan: (2011)
• A New Historical Approach to John Donne’s A Valediction: Forbidding Mourning
  oleh: Changizi, Pooyan; Department of Foreign Languages and Linguistics, Faculty of Humanities and Literature, Shiraz University, Eram Campus, Eram Street 7194684795, Shiraz, et al.
  Terbitan: (2011)
• The Female Artist within the Framing Narrative in The Tenant of Wildfell Hall
  oleh: Pourgiv, Farideh; Department of Foreign Languages and Linguistics, Faculty of Humanities and Literature, Shiraz University, Eram Campus, Eram Street 7194684795, Shiraz, et al.
  Terbitan: (2010)